
WEDDINGS & EVENTS
Every wedding and event I work on starts with a conversation. I want to understand not just the colours and the brief, but the feel of the day, the people involved, and what matters most to you. From there, I work to create something that feels considered and personal rather than off the shelf. Whether that is a full wedding package or a single statement piece for a commercial space, the approach is always the same. Thoughtful, unhurried, and made with real care.
Rhian & Jon

Rhian and Jon's wedding had a warmth to it that came through clearly in every detail of the brief. The bridesmaids wore a beautiful burnt orange and the groomsmen carried the same tone through their ties. The florals were built around a palette of dried stems in natural, whimsical botanicals, and accents of orange that felt natural rather than vivid. The full floral package included the bridal bouquet, bridesmaids' bouquets, and buttonholes, all designed to work together as a complete set.
Photographer: https://www.carysannphotography.com/
Thomasin & Ben
Thomasin and Ben wanted whites and greens, with a soft, natural feel throughout. The bridesmaids wore olive green, which shaped the whole palette. We used olive branches through every arrangement, from the table centrepieces at the wedding breakfast to the top table display. Simple, cohesive, and elegant.



Christmas at Samuel & Sons
A commission for Samuel & Sons' Chelsea Harbour, London studio, created to dress their entrance for the Christmas season. The brief asked for softness alongside impact, neutral tones and deep reds, with a great deal of texture throughout. Two large wreaths for the studio doors and two substantial displays were made to work together as a cohesive scheme. A particularly special detail was the ribbon bows and the roses woven through the wreaths were made using Samuel & Sons' own ribbon, which tied the whole installation directly back to the brand in a way that felt genuinely considered.
Autumn at Marvic Textiles Ltd
A large statement display created for the launch of Marvic Textiles' autumn collection at their Chelsea Harbour, London studio. The brief called for something that felt in tune with the season, rich, textural, and generous in scale. Working in warm amber, burnt orange, rust, and deep botanical greens, the arrangement was designed to complement the collection without competing with it. Something that felt like a natural extension of the space rather than a decoration added to it.

Contact Us
If you are planning something and would like to talk through your ideas, I would love to hear from you. Fill in the form and I will be in touch.
Located in the New Forest, Hampshire











